
Join us in St. Paul for ASBA’s 31st Annual Conference. Headquartered at the InterContinental Saint Paul Riverfront hotel above the banks of the mighty Mississippi River.Come early or stay late
Take a Pre- or Post-Conference Workshop or tour the Minnesota Museum of Art with a guided tour of the museum and an exclusive visit to their Print Room.
Two illustrious botanical artists will offer exciting two-day pre- conference workshop opportunities on Tuesday and Wednesday. Julia Trickey dives into “Celebrating Imperfection” and David Morrison will take time to “Discover the Beauty of Botanical Textures”.
Stay after the conference and plan to paint "Hazelnuts and Acorns on Vellum" in this three-day post-conference workshop with Denise Walser-Kolar.
The 2025 ASBA Conference will be a great blend of hands-on workshops, demonstrations, lectures, tours, and social gatherings. Guaranteed there will be something for everyone!
The complete 2025 conference schedule and registration information will be posted on the ASBA website in June and in the June issue of The Botanical Artist. Registration appointment requests will begin June 1st. Watch for emails that will alert you to this information well in advance.
We are looking forward to the 31st ASBA Conference in Saint Paul this fall and hope to see you there!

Welcome to St. Paul, Minnesota from ASBA and the Great River Chapter!
What most often stands out to first-time visitors to the Twin Cities of Minneapolis and St. Paul is the strong connection to nature. This large and sophisticated metropolitan area is studded with lakes, rivers, parks and preserves. Minnesota is known for cold winters and hot summers, but you’ll find that people here tend to embrace the outdoors no matter what the weather holds.
While the region is often associated with Scandinavian or northern European heritage, the name “Minnesota” is derived from its Dakota name “Mni Sota Makoce,” which is translated to mean “land where waters are so clear they reflect the clouds.” Today, our metropolitan area is still home to Dakota and Anishinaabe descendants in addition to thriving multicultural communities, and we look forward to leading you through many facets of Minnesota at ASBA 2025.

Our conference theme, “Home of the Headwaters” pays homage to the Mississippi River, which originates in northern Minnesota and flows through the downtowns of both Minneapolis and St. Paul, making its way to the Gulf of Mexico. A secondary theme that has emerged for this year’s conference revolves around what happens when scientists, artists, and conservators work together. Botanical artists can fully appreciate this confluence, so conference programming will lean into that theme.
Although the smaller of the Twin Cities, St. Paul is the State Capitol with its own colorful history. Nearby restaurants provide great dining opportunities in charming atmospheres, and other restaurant options are just a short ride from the hotel. Here’s a link to encourage your wanderings: https://www.visitsaintpaul.com.

Should you need a break from painting, consider meandering a few blocks away to have tea at the historic St. Paul Hotel, take in a concert at the Ordway Center for Performing Arts or just stand in historic Rice Park and smile at the bronze Peanuts Gang statues, where Schroeder plays his piano and Lucy doesn’t hear a note. Maybe you can catch a hockey game at the Excel Energy Center or, if you want to go further afield, take a walk or drive along St. Paul’s Summit Avenue, which passes by the St. Paul Cathedral and runs to the Mississippi River, boasting the longest stretch of Victorian-era mansions in the country. On the Minneapolis side of the metro area, the Eloise Butler Wildflower Garden and Birding Sanctuary is the oldest public wildflower garden in the country. It’s well worth a visit in the spring and summer.

Fun fact – did you know that Minnesota is home to both Honey Crisp and Sweet Tango apples, developed by the University of Minnesota at the award-winning Minnesota Landscape Arboretum? One of our conference courses will take you deeper into the world of apple research at “The Arb.” While there, you’ll have a chance to visit the amazing Andersen Horticultural Library. ASBA 2025 will also include opportunities to visit the Minneapolis Institute of Art, the Bell Museum of Natural History (which will be hosting the Curious Allies exhibit during ASBA 2025), as well as the Marjorie McNeely Conservatory at Como Park. A small group will have an opportunity to do a nature sketching adventure at a rich fen, and let’s not forget the simple but enriching opportunities throughout the conference to meet and mingle with other botanical artists – a perennial highlight of ASBA!

As you can see, we’ve designed exciting programming that features the amazing classes and presentations for which ASBA Conferences are always known, while giving you the chance to explore the local flavor and essence of what makes Minnesota – the Home of the Headwaters – so special.

HOTEL INFORMATION
InterContinental Saint Paul Riverfront Hotel
11 E Kellogg Blvd, St Paul, MN 55101
The InterContinental Hotel (our conference venue) is perched high above the Mississippi River in downtown St. Paul, close to historic Rice Park and other architectural treasures. Nearby restaurants provide great dining opportunities in charming atmospheres, and exploring other restaurant options is just a short ride from the hotel.

The ASBA Conference room rate is $159 plus applicable taxes. This rate applies to either King or to Two Queen standard rooms. The rate of $159 per night is extended to ASBA for the period October 12th – 22nd.
Rooms fill quickly, so make your reservation as soon as possible.
Please use this link to book your stay and receive the ASBA Group Rate
https://www.intercontinental.com/redirect?path=rates&brandCode=IC&localeCode=en®ionCode=1&hotelCode=MSPSP&checkInDate=12&checkInMonthYear=092025&checkOutDate=22&checkOutMonthYear=092025&_PMID=99801505&GPC=X7O&cn=no&viewfullsite=true

Check-in: 3:00 pm
Check-out: 11:00 am
Smoke Free Property
On-Site curbside valet parking daily: $20.00 ($30.00 for oversize)
This rate includes unlimited in and out access
Additional Parking options: There are some public parking ramps in the area that have rates around $20.00 overnight. The Victory Ramp is recommended.

AIRPORT INFORMATION
InterContinental Saint Paul Riverfront is 7.3 miles from Minneapolis-Saint Paul International Airport (MSP).
https://www.mspairport.com

SEEKING A ROOMMATE?
You can connect directly with other members seeking a roommate. Follow these simple stems and connect:
1. If you are not already logged in, log into the ASBA website https://www.asba-art.org/
2. Locate the “Member Features” menu
3. Click on “View > Member Interests”
4. Click on the down arrow next to “Annual Conference Hotel Room Sharing”
5. Click “View Members”. You will be able to see all members who are seeking a roommate.
6. To add your name to the list, click on "Sign Me Up"
7. Coordinate room sharing with any listed members by contacting them directly.
8. Once you have finalized plans with your roommate, don't forget to remove your name from the list by clicking "Remove Me"
2025 Conference Registration Timeline
Key Dates
June 1: Conference information published on the ASBA website for St. Paul
June 1-30: Members planning to attend conference may request a registration appointment
June 23: Reminder email sent to members who have not yet requested an Early Registration appointment
June 1: Small Works entries open to members planning to attend St. Paul conference
July 8-9: Members will receive their randomly generated early registration appointment time and a link and password for the Early Registration site
July 20-24: Early Registration for members with appointments to register for conference
July 31-Aug 31: Open Registration – any member may register for the St. Paul conference
August 31: Small Works exhibition entry deadline
October 1: Small Works exhibition entry MUST BE RECEIVED at designated shipping address
October 16: 2025 St. Paul Conference opens
tips for a successful registration experience
On
June 1, ASBA members will receive an email with instructions on how to request an appointment for Early Registration. The Appointment Request period runs through
June 30.
For members with appointment times
•On
July 8 through July 9, all who made an Appointment Request will receive an email that contains your randomly assigned appointment time for Early Registration as well as a link and password for the Early Registration site. Appointment times are scheduled in fifteen-minute allotments during the Early Registration period of
July 20-24.
Please do not discard this email.
•You must register during your assigned registration appointment time.
•Be ready with your Session and Meal choices and your credit card before registering.
•If for some reason your assigned appointment time is not convenient, you are encouraged to give your Registration Form and credit card info to a friend who can register for you.
•To keep the process fair, randomly assigned appointment times may not be changed. Those who miss their Early Registration appointment times will be able to register during the Open Registration period beginning
July 31.
•Members who do not participate in Early Registration may register in the Open Registration period beginning
July 31, 7:00am Eastern Daylight Time (EDT) without an appointment time.
•Open registration runs
July 31 through August 31, 2025. Registration closes at midnight EDT on
August 31, 2025 and additional registrations will not be accepted.
Please be sure that your membership is up to date (2025 dues paid) in advance of registering or you will not receive email notifications regarding conference registration.
Policy
1.
Current ASBA membership is required for registration. Please be sure that your membership dues are paid in advance of June 1 to ensure you receive email notifications about conference registration details.
2.
The ASBA conference is a three-day event. Partial registration is not available.
3.
Base Registration Fee is $460 for ASBA members, $25 for guests.
4.
Base Registration for ASBA Members covers the Welcome reception on Wednesday, breakfast and lunch Thursday, Friday, and Saturday, dinner on Saturday evening, and some activities including Portfolio Sharing, Open Studio if offered, and vendor sales. Additional fees are charged for conference workshops, pre- and post- conference workshops and some lectures. See prices listed in the Sessions tab of the ASBA website. Price does not include lodging or transportation.
5.
Base Registration for guests entitles guests to be registered for meals, receptions, tours, lectures, or other sessions open to guests at an additional charge. Guests may not register for workshops.
6.
Registration Deadline: 11:00pm Eastern Time on August 31, 2025. No registrations will be accepted after that time, no exceptions.
7.
Cancellation and Refunds
•
Cancellation on/or before 11:00pm Eastern on August 31
o
$250 cancellation fee will be retained by ASBA
o Balance will be refunded
•
Cancellation after August 31 and before 11:00pm Eastern on September 30
o
$250 cancellation fee will be retained by ASBA
o
50% of total registration will be retained by ASBA
o
Balance will be refunded
•
Cancellation on/after October 1: No refund
•
Cancellation at any time due to member experiencing a serious medical issue prohibiting their attendance or death in the immediate family
o
$250 cancellation fee will be retained by ASBA
o
Balance will be refunded
ASBA reserves the right to cancel any workshop due to unforeseen circumstances or substitute an instructor if the scheduled instructor is unable to fulfill the teaching obligation. In the event a workshop is cancelled, the fee will be refunded. No refunds will be given due to the change of instructor.
If any discrepancies exist between policies described in the Journal and those online, the policies appearing online take precedence.
Volunteer
Consider volunteering at the Annual Conference. This is a great way to meet and interact with ASBA members!
Check back soon for volunteer opportunities.
ASBA is committed to the health and safety of conference attendees. ASBA and the Sheraton Pittsburgh Hotel at Station Square will follow Health and Safety laws, rules, regulations, and guidelines established by the State of Pennsylvania, the city of Pittsburgh, and the US Centers for Disease Control and Prevention (CDC) (collectively, the “Regulations”). We will ask conference attendees to agree to comply with all regulations in effect at the time of the conference.
*
ASBA does its best to keep costs down, particularly for our Annual Conference. Registration fees are used to cover costs that ASBA incurs for hotel meals, receptions, lecture and workshop room rentals and A/V services as well as transportation to offsite programs. We do not make money off conference registrations. Although we know that our members' costs to attend the conference are substantial, we believe there is still great value in gathering in person, initiating, and building lasting friendships, and sharing our common passion for botanical art - in person!
Matthew Clark
Dr. Matthew Clark is plant breeder at the University of Minnesota where he leads the fruit breeding program. His research specializes in understanding the genetics of important traits like disease resistance and flavor for fruits like grapes and apples. The University of Minnesota is “Home of the Honeycrisp”, and Professor Clark brings his enthusiasm for developing new varieties to support farmer sustainability initiatives and feed people food that tastes delicious.
Jessica Daigle
Jessica Daigle is a classically trained artist, who earned her BFA from The University of Connecticut, concentrating in Illustration. Working with scientists from; The University of Connecticut, Penn State, Brown University, Boston University and The California Academy of Science, Jessica has created illustrations for various scientific publications and textbooks. As a Botanical and Scientific Illustrator, Jessica uses various mediums including ink, graphite, watercolor, digital painting and oils to best expresses the nature and essence of her subjects.
Karen Desnick
Karen Desnick, is the co-owner and president of Metropolitan Picture Framing, a family-owned manufacturing company located in Minnesota. In addition to the ASBA, Metropolitan Picture Framing supplies custom frames to museums, galleries, artists, and photographers across all 50 states, including esteemed institutions like the National Gallery of Art in Washington, D.C. and the Art Institute of Chicago.
Ronda Dick
Ronda Dick finds inspiration for her paintings from the plant specimens she gathers on walks. Painting from life, she never tires looking at or touching them, seeing that they each have their own “story” to tell. What appeared at first to be ordinary, often becomes quite remarkable.
Mary Dillon
Capturing the essence of a plant with its sensuality and frailty defines the work of Mary Dillon. Mary has a fascination for botanical art as a personal process while at the same time striving for excellence in her art practice. Her work was chosen as the signature image for the recent National Gallery of Ireland exhibition, Drawn From Nature and the subsequent publication by Patricia Butler. Mary’s work belongs in the collection of Dr. Shirley Sherwood and in the Hunt Institute for Botanical Documentation in Pittsburgh. Mary was the founding Chairperson of the Irish Society of Botanical Artists. Her work, ‘Abundance,
Punica granata’, was awarded ‘Best in Show’ at the ASBA 25 th International Exhibition in New York.
Jean Emmons
Emmons was awarded the Gold Medal for Curious Allies: Mutualism in Fungi, Parasites, and Carnivores, Fifth New York Botanical Garden Triennial and two Gold Medals and Best Painting of Show from the Royal Horticultural Society, London and the 2005 ASBA Diane Bouchier Award for Excellence in Botanical Art. Books featuring her work include Plant: The Art and Science of Botany by Phaidon Press; RHS Botanical Illustration, The Gold Medal Winners by Charlotte Brooks; The Shirley Sherwood Collection, Modern Masterpieces of Botanical Art; Botanical Art Techniques by Carol Woodin and Robin Jess; Drawing and Painting Fungi by Claire Kathleen Ward.
Christiane Fashek
Christiane’s recent work focuses on lichens depicted in colored pencil. She uses scale, perspective, and color to highlight their fascinating features. Christiane is an instructor at various botanical gardens, gives workshops, and talks virtually and in person. She was awarded the American Society of Botanical Artists 2022 Esther Plotnick Artist Grant and ASBA’s Lizzie Sanders New Artist Award. Her work regularly appears in exhibitions and is currently on view in NYBG’s Fifth Triennial, Curious Allies, for which she received a Silver Medal.
Marilyn Garber
Marilyn Garber is a botanical artist and founder of the Minnesota School of Botanical Art in Minneapolis (2001-2024). She is a long-time member of the American Society of Botanical Artists, serving as its president from 2007-2009. Her work has been included in international exhibitions including Royal Botanic Gardens at Kew and the Queen Sirikit Botanical Garden, Thailand as well as several florilegia.
Lara Call Gastinger
Lara Call Gastinger is an artist and botanical illustrator from Charlottesville, Virginia and was the chief illustrator of the Flora of Virginia, a botanical reference. She has her undergraduate degree in Biology from the University of Virginia and a master's degree in plant ecology from Virginia Tech. She has been awarded two gold medals (2007, 2018) at the Royal Horticultural Society Botanical Art shows in London and her work is in the Hunt Institute for Botanical Documentation. Her artwork appears in the Peterson's Field Guide to Mushrooms and the American Society of Botanical Artists Botanical Art Techniques Handbook.
Andreas Hentrich
Andreas Hentrich has been working as an independent artist in Cologne, Germany, since 1990. He focuses particularly on oil and watercolor techniques. His paintings, of which a large part deal with botanical motifs, are represented by several galleries and collections in Germany and abroad.
Wendy Hollender
Wendy Hollender is a botanical artist, illustrator, instructor, and author whose internationally-recognized career has spanned decades. She is a leading expert in using colored pencils and watercolor pencils to create detailed botanical drawings and paintings. Draw Botanical was started by Wendy to offer a variety of learning experiences from online Subscription Programs, Zoom workshops and in person workshops.
Vincent Jeannerot
For over forty years, Vincent Jeannerot's original botanical watercolors have
conveyed the emotion he feels when he paints nature in its smallest details.
Vincent paints the pure, natural beauty of life, with its balanced tones and
nuances, awakening our own emotions.He takes part in national and international exhibitions and also runs classes at his own gallery in his native Lyon, France.
He is invited to teach his botanical art internationally, in countries such as
Australia, New Zealand, Brazil, Russia, Latvia, Greece, Japan, South Korea and the USA.
M. Joy Lemon
M. Joy Lemon, a professional artist and instructor, creates work in a classical realist style with an emphasis on luminosity and depth, melding her atelier training with the delicate art of botanical illustration. She demonstrates a masterful understanding of proportions, light on form, value shading, and a refined use of materials, working across various mediums, including graphite, charcoal, chalk, and oil.
David Morrison
David Morrison is an Emeritus Professor of Art at the Herron School of Art, Indiana University in Indianapolis. He has shown in over two hundred fifty international and national exhibitions and has received over sixty awards. He has had four solo shows in New York City in 2021,2018, 2013 and 2015. His work is included in a numerous public and private collections. He has been a visiting lecturer and guest artist at a number of universities. Morrison has conducted workshops at the New York Botanical Garden, Phipps Conservatory and Botanical Garden, Massachusetts Horticultural Society and Denver Botanic Garden. He graduated from the University of Wisconsin Madison in 1985 with a Master of Fine Art.
Kimberly Moss
Kim Moss, Associate Professor in the Department of Art and Visual Culture at ISU, has a background in biomedical illustration for higher education publishing as VP of content creation, art director, instructional designer, and lead medical illustrator in New York City. Moss applies over 25 years’ experience combining science and art, in industry and academia, to creating artwork that addresses climate change, conservation, and health literacy
Tara Perron Tanáǧidaŋ Tó Wíŋ
Tara Perron Tanáǧidaŋ Tó Wíŋ (Lower Sioux Dakota and White Earth Ojibwe) has shared teachings of plant relatives with Minnesotans of all backgrounds through books, poetry, plant walks, and talks. She continues to teach the importance of protecting our earth and water.
Pat Robinson Schmidt
Pat Robinson Schmidt is a botanical artist and a jewelry maker. Her work history includes teaching art to elementary school children and jewelry making to high schoolers.Since retiring, she has studied botanical painting and currently paints on vellum. One of her strong interests is making designs using plant matter as her inspiration.Pat taught classes at the Minnesota School of Botanical Art; Botanical Tessellations and Building Botanical Designs.Pat creates and hand engraves her silver and gold jewelry pieces using botanical drawings
and designs, making her work truly unique.Favorite 2 D media includes transparent watercolor and graphite.
Deborah Shaw
Deborah Shaw has a degree in fine art from Pomona College, The Claremont Colleges, where she had the good fortune to study botany and native California flora.
Her work has been displayed internationally; is in the permanent collection at the Hunt; is part of the Botanical Collections at The Huntington Library, Art Museum, and Botanical Gardens; and is in private collections. She has taught botanical art at US and international venues and taught design, illustration, and data visualization at UC, Irvine, Extension where she was recipient of the “Distinguished Instructor” award. She is the recipient of the 2020 ASBA James White Service Award and is a contributor to the ASBA publication, "Botanical Art Techniques,” by ASBA, Carol Woodin, and Robin Jess. Her favorite media include graphite, watercolor, colored pencil, pen and ink, scratchboard, Illustrator, Photoshop and various digital painting apps. Most recently, she is honored to be part of the Grootbos Florilegium project.
Crystal Shin
Korean-born, Crystal was the primary illustrator for the 2nd edition of the University of Washington’s Flora of the Pacific Northwest. She works at the University’s Herbarium and her illustrations appear in various scientific journals. As a botanical artist working in colored pencil, she is drawn to capturing luminous colors and fine details that highlight the beauty of plants. Crystal excels at sharing knowledge with her students, offering her intuitive understanding of colors and ability to broaden her students' insight. She taught online and in person to botanical groups and gardens, art schools, as well as ASBA conferences.
Scott Stapleton
Scott Stapleton is perhaps best known as a regular contributor to The Botanical Artist. He began his botanical art studies at the Minnesota School of Botanical Art in 2014. He’s taught colored pencils and, more importantly, overcoming the fear that can attend our intimidating art since 2017.
Julia Trickey
Julia is a UK based botanical artist and tutor, with over 25 years of experience. She has painted and celebrated many less than perfect subjects, including fall leaves, fading flowers, seedheads and bulbs, often painting them larger than life. Depicting such specimens has won Julia many awards, including four RHS gold medals.
Donnett Vanek
Donnett Vanek is a contemporary botanical artist working in traditional botanical art techniques of drybrush watercolor, graphite, and silverpoint. Donnett's studio is in the mountains outside of Los Angeles, California. She is an exhibiting artist and is honored to have work in the American Society of Botanical Artists/Society of Illustrators 27th Annual International Exhibition, the Hunt Institute for Botanical Documentation’s 17 International Exhibition of Botanical Art & Illustration, The New York Botanical Garden’s Fifth Triennial; Curious Allies: Mutualism in Fungi, Parasites, and Carnivores, and ASBA's 26th Annual International Exhibition. Donnett's work, Clarkia unguiculata is in the permanent collection of the Hunt Institute.
Denise Walser-Kolar
Denise Walser-Kolar specializes in painting botanical and nature art on vellum and loves teaching others how to paint on vellum. She teaches workshops in the United States and Europe as well as teaching online classes. Denise is currently working on a series of paintings inspired by the work of 16th Century Illuminator, Joris Hoefnagel.
Catherine Watters
Catherine has been teaching for over 25 years, venues include ASBA conferences, UC Berkeley Botanical Garden, Mexico, Italy and France. She co founded the Filoli Botanical Art Certificate Program where she taught for 20 years. Her teaching style is best summarized in this testimonial:
“I enjoyed your gentle enthusiasm and kind attention, giving me such inspiration to pursue this precise art form.”
Catherine’s paintings are held in several collections including The Hunt Institute; Kew Gardens, and the Paris Museum of Natural History.
Notable Florilegia include Sydney Royal Botanic Gardens; Brooklyn Botanic Garden; Alcatraz; Filoli; National Tropical Botanical Garden, Kauai; UC Berkeley Botanical Garden and Château de Brécy, France.
George D. Weiblen
George D. Weiblen is the Science Director of the Bell Museum at the University of Minnesota. He holds a Distinguished McKnight University Professorship in Plant & Microbial Biology and is a curator of the herbarium at the Bell Museum of Natural History. He received his B.A. in Biology from Reed College in 1992 and his Ph.D. in Organismic and Evolutionary Biology from Harvard University in 1999, advised by Michael J. Donoghue. His research interests include the ecology and evolution of plant-insect interactions, especially pollinators and herbivores of trees in Papua New Guinea. His systematic studies focus on Ficus, Moraceae and relatives. He also maintains the first Drug Enforcement Administration permit for Cannabis genetic research in the United States. Born and raised in Minnesota, he has participated in the design and content of the new Bell Museum & Planetarium in Saint Paul.
Kerri Weller
Known for botanical paintings on dark backgrounds, Kerri brings her classical art training to this workshop. Her work has been published in Fine Art Connoisseur magazine, juried into international exhibitions of ASBA and Art Renewal Centre, and is in The Hunt Institute. ASBA’s Botanical Art Techniques book includes Kerri’s tutorial Painting in Oils.
Susan Wilkins
Susan Wilkins was selected in 2004 to be the Curator of the Eloise Butler Wildflower Garden, only the fifth in its history. She graduated summa cum laude with a BS degree in Environmental Horticulture from the University of Minnesota. Her work includes overseeing the care and development of the plant collection at the Garden. Additionally, she oversees the Garden’s education programs, visitor services, volunteer programs, and partnerships and community connections.
Carol Woodin
Specializing in rare plants in watercolor on vellum, Carol Woodin's work has been exhibited around the world, recently at the Shirley Sherwood Gallery, Kew, UK; Hannarie Wenhold Gallery, Grootbos, South Africa, and UBS Gallery, New York. Having worked on vellum for over 30 years, she's been invited to teach its specialized techniques throughout the Americas, in Europe and in Africa. In 2024, she received the Shirley Sherwood Award for ‘broad and significant contributions to botanical art’.
PRE-CONFERENCE
TUE/WED OCT 14-15, 9AM-5PM
CONFERENCE
WED, OCT 15, 1PM-4:30PM
WED OCT 15, 1PM-5PM
WED, OCT 15, 5PM-7PM
THURS OCT 16, 7AM-8:30AM
THURS OCT 16, 8:30AM-5PM
THURS OCT 16, 8AM-10:30AM
THURS OCT 16, 8:30AM-10:30AM
THURS OCT 16, 11AM-1PM
THURS OCT 16, 1:30PM-4:30PM
THURS OCT 16, 1:30PM-4:30PM
THURS OCT 16, 4:45PM-6PM
THURS OCT 16, 6:30PM-8PM
FRI OCT 17, 7AM-8:30AM
FRI OCT 17, 8AM-5PM
FRI OCT 17, 8AM-4PM
FRI OCT 17, 9AM-4PM
FRI, OCT 17, 12PM-1PM
FRI, OCT 17, 5PM-7PM
SAT OCT 18, 7AM-8:30AM
SAT OCT 18, 8AM-5PM
SAT, OCT 18, 8AM-4PM
SAT, OCT 18, 8AM-11:30AM
SAT, OCT 18, 9AM-10:30AM
SAT, OCT 18, 10:45AM-12PM
SAT, OCT 18, 9AM-4PM
SAT, OCT 18, 12PM-1PM
SAT, OCT 18, 1PM-2:30PM
SAT, OCT 18, 2:30PM-4PM
SAT, OCT 18, 4PM-6:45PM
SAT, OCT 18, 7PM-9PM
POST CONFERENCE
SUN, OCT 19 - TUE OCT 21, 9AM-4PM
ART BAZAAR
All members are invited to donate art supplies, botanical art books, scarves, jewelry, gift items, and of course prints and original art. Held Saturday evening before the banquet, the Art Bazaar features items for immediate sale. 100% of the sales price is considered a donation to ASBA,
In addition to donated items for the Art Bazaar, the first 15 members who reserve a table when registering for the conference, may sell their botanical art-related products. You can share a table with another artist, or a chapter could reserve a table. You are asked to donate 30% of your sales to ASBA.
To Donate: Download the
ART BAZAAR DONATION FORM and return the completed form by email to
artbazaar@asba-art.org prior to
Monday, September 15, 2025. You will receive an email acknowledging your donation.
• Donations can be brought to the conference or shipped ahead of time.
• Hand delivered items can be dropped off at the Conference on Wednesday afternoon or Thursday morning.
Shipped items are to be sent to Meg Kasting at the following address: 1200 Scheffer Avenue, Saint Paul, Minnesota 55116
USA prior to
October 3, 2025.SPONSORSHIPS
Have a business or organization that would love to support ASBA? Please consider one of our premiere sponsorship opportunities. Download the
SPONSORSHIP FORM and return to Conference Coordinator, Harper Quill
conference@asba-art.orgIN-KIND DONATIONS
Do you have a personal relationship with a particular art supply company? Have a business and want to share the love? Please consider donating items for our Welcome Goodie Bags. Download the
IN-KIND DONATION FORM and return to Conference Coordinator, Harper Quill
conference@asba-art.org